THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

The best Side of Charlie Chaplin's "The Circus" (1928)

The Buster Keaton character has his feet on the ground. He could be embarrassed to parade his goodness. He employs ingenuity as an alternative to divinity. Chaplin’s untidy adore existence indicates he felt he deserved whomever he preferred; Keaton in private lifetime seems to have been melancholic thanks to alcoholism, but a decent ample type wi

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